![Aleksander Fredro Theatre in Gniezno, No One’s Gonna Believe Me Anyway (I tak nikt mi nie uwierzy); photo: Dawid Stube Aleksander Fredro Theatre in Gniezno, No One’s Gonna Believe Me Anyway (I tak nikt mi nie uwierzy); photo: Dawid Stube](/sites/default/files/styles/crop_issue_cover_max/public/content/images/foto_dawid_stube_66_.jpg.webp?itok=ETmrA_Q3)
- The #MeToo Movement and Transformation
- Theatre and Ecology
- Symphony of the Ursus Factory
Table of contents
transformation
ecology
participation
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The Signifier Cannot Be Detached from the Body
[peer-reviewed]
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They Are the Future. Hope and a Call for Action
[peer-reviewed]
new hearing
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Between Body and Sound: The Theatre of Wojtek Blecharz
[peer-reviewed]
history reading
-
Gertrude Stein plays video games
[peer-reviewed]
theatre criticism
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Be Gone! Or, Clear Away, Chop Chop
Dziady at 34/36 Mickiewicza Street, dir. Oskar Sadowski
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Feedback Loop
The Gniezno Theatre: No One’s Gonna Believe Me Anyway, dir. Wiktor Rubin
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Who Let the “Lady Of Pestilence” in?
Teatr Dramatyczny im. Jerzego Szaniawskiego: Lady of Pestilence, dir. Sebastian Majewski
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Inside Virtual Rooms
Balladyna, dir. Oskar Sadowski
-
Privileges of the Imagination
Teatroteka Fest 2020: Nowe Kadry Teatru
Previous issues
![Nowy Teatr w Warszawie, Fobia; fot. Rafaello Zeloncini Nowy Teatr w Warszawie, Fobia; fot. Rafaello Zeloncini](/sites/default/files/styles/crop_issue_cover_small/public/content/images/179_okladka_fot_rafaello_zeloncini.jpg.webp?itok=0nM5dwgF)
- Postnuklearny świat na fotografiach
- Taniec-kłącze
- Feministycznie, kolektywnie, horyzontalnie
Didaskalia 179
luty 2024
English Issue 2023
Didaskalia 178
grudzień 2023