Issues

In the latest issue
Rugilė Barzdžiukaitė, Vaiva Grainytė, Lina Lapelytė, Sun & Sea; fot. Aleksandra Bębenek
  • Pułapki reprezentacji
  • Sztuka i transformacja ustrojowa
  • Rośl-inność
In the latest issue

Didaskalia 183

październik 2024
  • Pułapki reprezentacji
  • Sztuka i transformacja ustrojowa
  • Rośl-inność

Previous issues

Kadr z Gier i zabaw higienicznych Andrzeja i Wojtka Ziemilskich
  • Koronateatr
  • Angélica Liddel: przewodnik
  • Dekolonizacja dokumentu
Read more

Didaskalia 157/158

czerwiec – sierpień 2020
Berek, fot. Magda Hueckel
  • Rasizm i peryferie
  • Árpád Schilling: wróg publiczny
  • Pionierzy retrogardy
Read more

Didaskalia 156

kwiecień 2020
Diabły, fot. Steve Tanner
  • Milo Rau: przewodnik
  • Teatr polityczny Eleonory Kalkowskiej
  • Publiczność w wirtualnej rzeczywistości
Read more

Didaskalia 155

luty 2020
Didaskalia 154 - okładka

Didaskalia 154

grudzień 2019
Didaskalia 153 - okładka

Didaskalia 153

październik 2019
Didaskalia 151/152 - okładka

Didaskalia 151/152

czerwiec – sierpień 2019
Didaskalia 150 - okładka

Didaskalia 150

kwiecień 2019
Didaskalia 149 - okładka

Didaskalia 149

luty 2019

Issues

Follow the links below for more English texts:

 

Magda Piekarska, Who Let the “Lady of Pestilence” In?Teatr Dramatyczny im. Jerzego Szaniawskiego, Wałbrzych: Lady of Pestilence (Pani Moru), dir. Sebastian Majewski, https://thetheatretimes.com/who-let-the-lady-of-pestilence-in/. 

Katarzyna Lemańska, Inside Virtual RoomsVOD player.pl: Balladyna by Juliusz Słowacki, dir. Oskar Sadowski, https://thetheatretimes.com/inside-virtual-rooms/. 

Katarzyna Lemańska, A Big Small Story, Opolski Teatr Lalki i Aktora: Wielkie mi coś [Big Deal], dir.: Marta Guśniowska, https://thetheatretimes.com/a-big-small-story/

Olga Katafiasz, Privileges Of The Imagination, Teatroteka Fest 2020 Nowe Kadry Teatru, https://thetheatretimes.com/privileges-of-the-imagination/

“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska, https://thetheatretimes.com/i-dont-know-what-it-means-to-be-an-actor-mamadou-goo-ba-in-conversation-with-monika-kwasniewska/?fbclid=IwAR3INuXXWbn3T3mvKj4BmyLE6XQElTs118Deumdj2miAhBZaBN_HOEViPhU 

Marta Bryś, For Our Poland They Go into Battle!The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw: Berek, dir.: Maja Kleczewska, https://thetheatretimes.com/for-our-poland-they-go-into-battle-berek-at-the-ester-rachel-and-ida-kaminska-jewish-theater-warsaw/?fbclid=IwAR3_naYVd6aAlRYrHUeT-aX4Hmk9DY-31H9I2vuTcz39bNHTBIxU9-Om-q8

Magda Piekarska, Coronatheatre: Polish Theatre in the Plague Year, https://thetheatretimes.com/coronatheatre-polish-theatre-in-the-plague-year-part-i-march-and-april-2020/; https://thetheatretimes.com/coronatheatre-polish-theatre-in-the-plague-year-part-ii-two-months-later/

Witold Loska, The Other Is Ddenied a Voice, The Polish Theatre, Poznań: Hamlet/Гамлет, dir. Maja Kleczewska, https://thetheatretimes.com/the-other-is-denied-a-voice-maja-kleczewskas-hamlet-%d0%b3%d0%b0%d0%bc%d0%bb%d0%b5%d1%82/

Natalia Brainer, La vie sanatorienne, Juliusz Słowacki Theatre in Kraków: Turnus mija, a ja niczyja. Operetka sanatoryjna / My Stay Is Almost Done and I Don’t Belong To Anyone: A Sanatorium Operetta, dir. Cezary Tomaszewski, https://thetheatretimes.com/la-vie-sanatorienne-cezary-tomaszewskis-my-stay-is-almost-done-and-i-dont-belong-to-anyone/

Agata Adamiecka-Sitek, Marta Keil, Igor Stokfiszewski, Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution, https://thetheatretimes.com/feminisation-democracy-labour-towards-a-socialised-cultural-institution/

Monika Kwaśniewska, Between Freedom and Manipulation: The Situation of Actors in Factory 2”, https://thetheatretimes.com/between-freedom-and-manipulation-the-situation-of-actors-in-factory-2/

Katarzyna Waligóra, The Puppets Are Changing, Academy of Theatre Arts in Kraków, Wrocław Branch, Puppetry Department: Słaby rok / The Weak Year, dir. Martyna Majewska,https://thetheatretimes.com/the-puppets-are-changing-the-weak-year-at-the-academy-of-theatre-arts-in-wroclaw/

Maciej Guzy, Dressing Room with a Bathrobe and a Gas Mask, The Polski Theatre, Bydgoszcz: Trump i pole kukurydzy / Trump and the Field of Maize, dir. Paweł Łysak, https://thetheatretimes.com/dressing-room-with-a-bathrobe-and-a-gas-mask-trump-and-the-field-of-maize-at-the-polski-theatre-bydgoszcz/

Agata Łuksza, Sniff Like a Dog Sniffs the Wondrous, Teraz Poliż: córy warszawskie #100lat / warsaw’s daughters #100lat, https://thetheatretimes.com/sniff-like-a-dog-sniffs-the-wondrous-warsaws-daughters-100lat-by-teraz-poliz/

Aneta Głowacka, Borders, Barriers and Limitations, Wanda Siemaszkowa Theatre in Rzeszów: Lwów nie oddamy / Lwów We Won’t Give Up, dir. Katarzyna Szyngiera, https://thetheatretimes.com/borders-barriers-and-limitations-lwow-we-wont-give-up/

Marta Bryś, Where Have You Gone, Davey?, TR Warszawa, POLIN Museum of the History of Polish Jews: Dawid jedzie do Izraela / David Goes to Israel, dir. Jędrzej Piaskowski, https://thetheatretimes.com/where-have-you-gone-davey/